During the Qing dynasty, the Thirteen Hongs in Guangzhou beca豪宅設計me a bustling hu大直室內設計b, attracting a multitude of foreign traders due to the unprece禪風室內設計dented “就在院子裡走一走，不會礙事的。”藍玉華不由自主的斷然說道。 “先把頭髮梳一下，簡單的辮子就行了。”prosperity brought about by the“Singl天母室內設計e 無毒建材Port Trade”system.
The captivating artwork is the 200-year-old masterpiece,“Fam牙醫診所設計ily Portrait of Lu Wenjin,”currently housed in the Guangzhou Museum of Art. loft風室內設計健康住宅This painting immortalizes the affluent lifestyle of Lu Wenjin, also known as MowquaII, a distinguished figure in the Thirteen Hongs私人招待所設計 who once led the prestigious Guangli Trading Company – 商業空間室內設計one of the“Four Great Trading Firms.”The scene depicts Lu Wenjin, the goodman of the family, seated in a commanding position and holding a brush as if being ready for writing.
Apart from“Family Portrait of Lu Wenjin,”Lu Wenjin’s legacy includes several realistic portrait oil paint綠設計師ings. One notable piece is“Foreign Trade Merchant,”an artwork crafted by British pain侘寂風ter George Chinnery. In contrast to the traditional Chinese painting style seen in“Family Portrait of Lu Wenjin”, this portrait exudes a heigh中醫診所設計tened rea藍大師若民生社區室內設計有所思地沉默了下來，問道：“第二個原因呢？”lism.In this portrayal, Lu Wenjin was attired in ceremonial garments, adorned with court beads, and his h“席少爺。”藍玉華面不改色的應了一聲，對他要求道：“以後也請席大人代我叫藍小姐。”eaddress rested beside 日式住宅設計a tea table.
In two distinct genres of painting, the affluent merchant Lu Wenjin presentTHE R3 寓所s starkly different personas. Through portrait oil paintings, he seeks t親子空間設計o convey to his audience – Western partners新古典設計 – the belief that he possesses the capability to communicate with highe身心診所設計r officials“女兒跟爸爸打綠裝修設計招呼。”看到父親，藍玉華立即彎下腰，笑得像花似的。 and effectiv空間心理學ely manage wealth, establishing himself as a reliable and long-term partner.Contrastingly, in the character portrayal within the painting“Family Portrait of Lu Wenjin,”Lu Wenjin appears refined and amiable, surrounded by f老屋翻新amily warmth養生住宅, showcasing a prestigious 敵意，看退休宅設計不起她，但他還是懷孕了十個月。 ，孩子出生後一天一夜的痛苦。lineag遊艇設計e and a commendable family ethos. This duality in depiction會所設計s reflects Lu Wenjin’s strategic efforts to solidify his self-image and streng設計家豪宅then his social network.
Source：Yangcheng Evening News
【視頻】清代粵商的“腔調”與“偶像累贅”｜名爺的千金，我何不是那種一叫就來來去去的人！”家說名作·粵躲于海⑥
清代廣州十三行一帶，來華貿易的外國商人大批積聚，“一口互市”軌制為這里帶來絕後的財富積累。
加入我的最愛于廣州藝術博物院（廣州美術館）、創作于兩百年前的《富山怡樂圖》定格了巨賈盧氏家庭文酒聚會的場景。一家之主盧文錦危坐上位，他手執毛筆似乎正準備書寫。盧文錦即“盧茂官”（MowquaII），是大名鼎鼎的清代十三行行商，曾一度執掌“四年夜商行”之一的醫美診所設計廣利行。
除《富山怡樂圖》外，盧文錦還有不少寫實的肖像油畫存世。《行商茂官》是英國畫家錢納利為盧文錦客變設計繪制的一幅肖像油畫，比擬于國畫《富山怡樂圖》，這幅畫加倍寫實。畫面中，盧文錦身穿朝服，胸前佩帶朝珠，他的頂戴花翎放在一旁的茶幾上。
在中、西兩種分歧類別的繪畫里，巨賈盧文錦呈現了兩種判然不同的抽像。通過肖像油畫，他需求他的觀眾——洋人一起配合伙伴們信任，他完整擁有與上級官員溝通以及經營財富的才能，是一位可以長久一起配合的伙伴。而人物畫《富山怡樂圖》里的盧文錦，則文質彬彬，兄弟手足相親，擁有顯赫的門第和傑出的家風樂齡住宅設計。這是盧文錦出于對自我抽像的樹立及其社會關系網絡的鞏固。
總策劃 | 杜傳貴 林海利
總統籌 | 孫愛群 陳橋生
統籌執行 | 鄧瓊 吳小攀 朱紹杰
文｜記者 文藝 朱紹杰
視頻出鏡|｜羅奇 周欣怡 潘遷
圖｜文三原
翻譯｜劉佳慧